![]() That the band was able to carry this momentum into a deal with CBS Records says enough about what `Back to Mystery City’ had in terms of success. “Until I Get You” is a great ballad and much of the second half of the record is slower which is fine but maybe not as memorable. I think `Mystery City’ is as good as any of Hanoi Rocks’ discs with such cuts as blistering opener “Malibu Beach Nightmare”, the title track and “Tooting Bec Wreck” these are as good as any songs in the catalog. On `Back to Mystery City’, former Mott members Buffin and Overend were on hand as producers for their Scandinavian acolytes. carved their own mark on the early to mid-eighties rock world. Taking their lead from such glam stalwarts as Mott the Hoople and New York Dolls, Mike Monroe, Andy McCoy and Co. Though often compared to later hair bands that they inspired (Motley, GnR), their sound was not as easily classifiable. Signing to CBS in 1984, the band looked set to break into the mainstream when their career was cruelly cut short when drummer Razzle was killed in a car crash.“Finland’s Hanoi Rocks were fast making inroads into the international hard rock scene with an eclectic mixture of styles, both old school and recent. I think Mystery City’ is as good as any of Hanoi Rocks’ discs with such cuts as blistering opener Malibu Beach Nightmare, the title track and Tooting Bec Wreck these are as good as. They were the first Finnish band to chart in the UK and they were also popular in Japan. ![]() Throughout their career, Hanoi Rocks were known as a formidable live act, as captured on 1984’s ‘All Those Wasted Years’ (CD5), which was recorded at London’s legendary Marquee Club in December 1983. Hanoi Rocks were a Finnish rock band formed in 1979. The album certainly had a more commercial sound than the punk inspired approach of previous albums, becoming a major influence on the hard rock and glam metal scene of the 1980s, and a big inspiration for Guns N’ Roses, who would re-issue these early Hanoi Rocks records on their own Uzi Suicide label later in the decade. Produced by Mott The Hoople’s Dale Griffin and Pete “Overend”” Watts, it was the first record to feature Londoner Razzle on drums. Also released in 1982, and one of the band’s strongest sets, ‘Self Destruction Blues’ (CD3) was a compilation of singles and B-sides only previously available in the native Finland, a punk-infused glam and hard rock classic in its own right.īy 1983, Hanoi Rocks had relocated to London, inspiring the song ‘Tooting Bec Wreck’, a track from their next album, ‘Back to Mystery City’ (CD4). Finding loyal fans in the UK music press, especially in the pages of Sounds and Kerrang!, the band developed a cult following, from California to Japan. The same line-up would record follow-up, ‘Oriental Beat’ (CD2), released in 1982. Hanoi Rocks formed in Helsinki, and with a line-up completed by Nasty Suicide on guitar, Sam Yaffa on bass and Gyp Casino on drums, they released their debut ‘Bangkok Shocks, Saigon Shakes, Hanoi Rocks’ (CD1) in 1981. Plus classic singles and rarities compilation ‘Self Destruction Blues’.Īlthough Finland is now quite rightly recognized as a highly influential and fertile source of rock and metal artists, that wasn’t the case when singer Michael Monroe met guitarist and songwriter Andy McCoy in 1979. Early 80s rock majesty with a sleazy edginess on three studio albums and a classic live set from 1984.5CD collection tracing the career of Finnish rock icons Hanoi Rocks. 0 Comments 0 Tags I wanna stay in the sun, I gotta have my fun, When the work is done Down The Malibu Beach And when the winter is gone, I wont stay for long, Just turn the radio on Down The Malibu Beach Ill find a sweet, sweet girl, A sea pearl, Shell make me burn that naughty girl Ill find a skinhead. ![]() Here was a killer band shooting straight from the hip.
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